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Judith Light Honored with O’Neill Center’s 2017 Monte Cristo Award

by BWW News Desk May. 22, 2017  

It was a night full of Broadway and TV reunions for beloved stage and screen star Judith Light at the 2017 Monte Cristo Award ceremony last night, presented by the Eugene O’Neill Theater Center and held for the first time at 583 Park Avenue. Light’s LOMBARDI co-star Dan Lauria and “Ugly Betty” co-star Michael Urie joined in on the celebrations, and Director Thomas Kail presented Light with her honor. Scroll down for photos from the evening!

An alum of the O’Neill, Judith first performed at the O’Neill’s 1977 National Playwrights Conference. The Monte Cristo Award is presented to a prominent theater artist each year in recognition of a distinguished career exemplifying Eugene O’Neill’s “pioneering spirit, unceasing artistic commitment, and excellence.”

Past recipients of the Award include Meryl Streep, Christopher Plummer, Michael Douglas, James Earl Jones, Nathan Lane, Harold Prince, Kevin Spacey, Neil Simon, Jason Robards, Jr., Edward Albee, August Wilson, Zoe Caldwell, George C. Wolfe, Brian Dennehy, Karl Malden, Arthur & Barbara Gelb, and Wendy Wasserstein.

Additional guests included Shakina Nayfack, Lena Hall, Tom Kitt, Margo Seibert, Tom Viertel, Susan Blackwell and more.

Photo Credit: Jenny Anderson/Getty Images for the Eugene O’Neill Theater Center

Photo Flash: Judith Light Honored with O'Neill Center's 2017 Monte Cristo Award
Honoree Judith Light

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Judith Light, Billy Porter return to Pittsburgh to accept Carnegie Mellon alumni awards


Judith Light and Billy Porter pose for a photo at the Carnegie Mellon University Alumni Awards on May 19, 2017 at the Purnell Center for the Arts at Carnegie Mellon University in Oakland. Light was awarded with the Alumni Lifetime Achievement Award and Porter was awarded an Alumni Achievement Award.

Judith Light (Class of 1970) and Billy Porter (‘91) were back on campus Friday as honorees for the 67th annual Carnegie Mellon University Alumni Awards, given for career achievements and service to the university.

Ms. Light, 68, the Emmy-winning actress known for TV roles from the daytime soap “One Life to Live,” to primetime’s “Who’s the Boss?” and “Ugly Betty,” and more recently, the Amazon series “Transparent,” has a long theater career as well. She took best actress in a play Tonys in 2012 and ‘13 for “The Assembled Parties” and “Other Desert Cities.”

This weekend she also will receive the Eugene O’Neill Theater Center’s Monte Cristo Award, given to an artist whose work has had a major impact on American theater. “Hamilton” director Thomas Kail presented Ms. Light with the award.

At CMU, Ms. Light and Raymond W. Smith (‘59), a pioneer in wireless technology and retired chairman of Verizon, were recognized with Alumni Lifetime Achievement Awards.

Mr. Porter, 47, the Pittsburgh native and Tony- and Grammy Award-winning star of “Kinky Boots,” was a recipient of an Alumni Achievement Award. He was surprised during the awards ceremony with a tribute by Pittsburgh CAPA students -— he attended Pittsburgh Allderdice and CAPA before heading to CMU. 

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A Shining Light

March 31, 2017

By Nicholas Ducassi (CFA 2010)

Judith Light’s distinguished acting career and her active support for the LGBTQ community will take center stage at Carnegie Mellon University this May, when she will be presented with the Alumni Association’s most illustrious honor, the Lifetime Achievement Award.

Light’s career has spanned five decades and garnered multiple awards, including Tonys and Daytime Emmys. A 1970 graduate of the School of Drama in CMU’s College of Fine Arts, she stars in Amazon’s groundbreaking and Emmy-award winning television comedy “Transparent,” a role for which she has been nominated for a Primetime Emmy and a Golden Globe Award for Best Supporting Actress.

“I’ve been doing this a long time, and I owe a lot of that to my training at Carnegie Mellon — to be flexible, powerful and resilient — and to use our instrument in all different ways for all different avenues of the business,” Light said.


Judith Light

Judith Light to Receive O’Neill Theater Center’s Monte Cristo Award

By Gordon Cox
Legit Editor@GCoxVariety
MARCH 16, 2017 | 07:00AM PT

The Eugene O’Neill Theater Center has named actress Judith Light the recipient of its annual Monte Cristo Award, handed out each year to a theater creative whose work has had a major impact on American theater.

“Hamilton” director Thomas Kail will present Light with the award at a May gala. Although Light is most widely known for TV roles in “Transparent” and “Who’s the Boss?,” she’s also won two Tony Awards, one for “Other Desert Cities” in 2012 and one for “The Assembled Parties” in 2013. In 1977 she spent a summer at the O’Neill Center’s National Playwrights Conference, performing in new works that included Wendy Wasserstein’s “Uncommon Women and Others.”

The actress, whose TV credits also include “One Life to Live” and “Ugly Betty,” joins a list of Monte Cristo recipients alongside prior winners Meryl Streep, Michael Douglas, Nathan Lane and George C. Wolfe, among others. Kail previously worked with Light in the 2010 Broadway play “Lombardi”; at the O’Neill Center’s Music Theater Conference he collaborated on “In the Heights” with Lin-Manuel Miranda before that show moved to Broadway.

The O’Neill Theater Center, located in Waterford, Conn., oversees a range of new-work initiatives that include the conferences for playwrights and for music theater, as well as the National Puppetry Conference and the Cabaret and Performance Conference. The O’Neill also runs undergraduate training programs through its National Theater Institute.

The 2017 Monte Cristo Award gala is set for May 21 at New York event venue 583 Park Avenue.

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Actress Judith Light Talks GOD LOOKED AWAY and Working with Al Pacino

BWW Interview: Actress Judith Light Talks GOD LOOKED AWAY and Working with Al PacinoActress Judith Light certainly needs no introduction. A familiar face to television audiences, she co-starred in the soap One Life to Live winning two Daytime Emmy Awards and in prime time with Tony Danza in Who’s the Boss?She has also won two Tony Awards for her stellar work on Broadway. She is a gay rights activist and she and her husband Robert Desiderio have contributed greatly to the gay community in Los Angeles over the years. Co-starring in Amazon’s web series Transparent, she is currently performing double duty: the TV show by day and at night a workshop play God Looked Away at the Pasadena Playhouse sharing the stage with none other than icon Al Pacino. I caught up with her this week, and she talked briefly but joyously about the play, her role in it and working with Pacino.

Tell us about the play God Looked Away and your role in it.

I play Tennessee Williams’ very close friend Estelle who is based on a woman in his life named Maria St. Just. There was a book that came out that she wrote that was called Five O’Clock Angel, and there are a lot of stories about them and their relationship. She married well into English society; she married a man who was – he told her – bisexual, but he leaned toward being gay. It was a difficult time for her all through her life, but that’s not what this is about. This is about their relationship (with Tennessee). It’s really the story of the need … the story of Tennessee Williams and the last 14 years of his life … and with this woman and with his companion during that time period, whom he called ‘Baby’. The play is written by Dotson Rader, a journalist…and Dotson was ‘Baby’ who is in the play, and it’s their story. It takes place during this last production that was done in Chicago of the last Tennessee Williams play produced called A House Not Meant to Stand. It was received mildly well to mixed reviews in Chicago but it really began in some sense the downward spiral that Tennessee was in and eventually led to his death. It’s about the drugs and the drinking and the process that he was going through during this one night in a Chicago hotel the opening night of this play.

BWW Interview: Actress Judith Light Talks GOD LOOKED AWAY and Working with Al Pacino

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DOUBT ep. 102

A Conversation With the Beloved, Compassionate, Indefatigable, Very Wise Judith Light

Vanessa Lawrence

Photo by Victoria Stevens. Produced by Biel Parklee.
There are many ways to be a fan of the actress Judith Light. Anyone who owned a TV in the 80’s and early 90’s probably adores her for her role as the divorced single mother Angela Bower, in the long-running show “Who’s the Boss.” The streaming generation likely feels equal affection for Shelly Pfefferman, the ex-wife of the transgender Maura (Jeffrey Tambor), on Amazon’s “Transparent,” now in its third season. Even theater purists must harbor immense goodwill for Light’s Tony Award-winning performances in the plays Other Desert Cities (2012) and The Assembled Parties (2013), among others.

But we should also be grateful Light’s enormous body of activism on behalf of AIDS/HIV awareness and LGBTQ rights. Since the beginning of the AIDS and HIV pandemic in America, Light has worked tirelessly towards illuminating the facts of the disease and the attendant stigma and bigotry aimed at those who have suffered and died from it. She has spoken at galas for practically every major organization devoted to AIDS and HIV; has marched, bicycled, lobbied and fought at too many events to count, and is on the boards of more non-profits than can possibly be listed, among them The Point Foundation, which seeks to empower LGBTQ youth through educational scholarships and mentorship (Light is currently a member of its honorary board). On December 7, Light will be honored by ACRIA, a nonprofit devoted to HIV research, with the Elizabeth Taylor Award at its 21st Annual Holiday Dinner in New York City.

Here, Light, 67, talks about the catalyst for her activism, her work on “Transparent” and her love of mega-jewelry.

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Best of 2016 (Behind the Scenes): Transparent star Judith Light on Shelly’s Alanis Morissette cover



 In the lead up to the opening of the New York City AIDS Memorial, Surface spoke with notable cultural figures who experienced the height of the crisis. Jenny Holzer turned excerpts from those interviews into a new series of artworks projected on the city’s buildings.

Artwork by #JennyHolzer quoting actress @JudithLight on AIDS. Learn more about the collaboration: #SurfaceXHolzer

Judith Light

It was a potent, powerful, and painful time. When I was working on The Ryan White Story Ryan was still alive, and I remember a reporter asking him, “How did people treat you?” He said, “People would spit at me and call me a fag.” We’re talking about a community that was dying and being disenfranchised. The level of homophobia that was shoved under the carpet you could finally notice and feel in the response, in the way that people were being vilified. We we were losing so many people week after week. I remember going with friends to hospitals and being with young people we didn’t even know. They were dying alone, because their families had disavowed them.

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Judith Light Really Hopes Alanis Morissette Likes Her ‘Hand in My Pocket’ Cover in ‘Transparent’ Finale

9/28/2016 by Jessie Katz

Michael Loccisano/Getty Images for Amazon Studios Judith Light attends the Amazon original series "Transparent" Emmy FYC screening at Paley Center For Media on May 19, 2015 in New York City

Michael Loccisano/Getty Images for Amazon Studios
Judith Light attends the Amazon original series “Transparent” Emmy FYC screening at Paley Center For Media on May 19, 2015 in New York City

Hours before opening night of her one-woman performance in Neil LaBute’s All the Ways to Say I Love You, Judith Light jumped on the phone with Billboard to talk about her scene-stealing performance of Alanis Morissette’s “Hand in My Pocket,” which closed out the third season of Amazon’s Transparent.

Below is an excerpt of our conversation with Light about how that scene came about, the convincing she needed from series creator Jill Solloway and her team, and what it came to mean to her personally in the end.

The final episode comes after a crushing revelation about your character Shelly, which re-frames much of what we thought we knew about her in the past two seasons. Was “Hand in My Pocket” specifically written into the script for that episode when it was handed to you?

Yes. Faith Solloway, who is Jill’s sister [and co-wrote the episode], worked with mereally endlessly, infinitely, religiously and generously on the song, because I wasn’t sure that that was the song for Shelly. I wasn’t clear about it. Faith and Jill talked to me about it and they explained to me what that was about, and then I understood.

Were you already a fan of Alanis Morissette?

Yes, I was personally, and I love that song, but I wasn’t sure that it was Shelly’s song. I thought she might have something that was even farther in the past. But in the first season, Shelly says, “You know I don’t like music.” That’s the brilliance of this show. That is the brilliance of Jill and our writers. That is the laying in of pieces of things that you go back and you look at and you say, “Wait a minute. How did this get uncovered?” And they’re always thinking out of the box, and they’re relating to each of our characters. I say this is the season of the peeling back of the onion.

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